Ferric

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last updated 25 April 1999

Dagmar 41


Ferric is a wonderful DIY CD, undoubtedly the best I heard in 1998.

CD cover
"Despite the lack of production (understandable under these conditions), Ferric demonstrates a great writing talent along with an accurate vision for moods, a talent which might put Dagmar 41 up there with the likes of Kate Bush, Tori Amos and mostly Peter Hammill. The song "Picture Me And The Waterman" is a fantastic track..." - Francois Couture, Delire Musical, CFLX Radio, Quebec.


"...all in all, it's a 'well-doner'. And of course the lyrics are sensitive and intelligent... what else would one expect!" - Peter Hammill.

Ferric has a lovely clean, open sound textures and superb moods. The first time I played it I'd just come home from a stressful day after being up till after 2:30am the previous morning, and it filled me with joy, relief and happiness. It's funny, but I've been thinking for quite a time now that the music scene needs a renaissance, there's a need for warm heartfelt music that yet takes you on a journey with the aim of delicately pleasing and entertaining one. An antidote to the cold, aggressive sound that too much contemporary music seems to assume.

I find the way she puts her thoughts and feelings into it so vividly a pleasure to behold. Sophisticated yet still very tuneful and listenable to!

Track listing
1   picture me & the waterman
2   attitude
*3   nænia
4   headless in siena
5   ferric
6   great wooden horse
7   think arc
8   irony
9   new lad movement song
*10   no orpheus
11   the guitar sounds marginally better than the table
12   ynori
13   to not wake up

* also feature Stuart Gordon's fiddle.

Like all great CDs, it has the habit of quantum tunnelling its way into my CD players on a very regular basis. It's probably unfair to single out specific tracks, but among my favourite tracks are picture me & the waterman, which is sung with a particular brightness even though it's outwardly about the breakup of a relationship; nænia, whose opening lyric 'Limestone and dancers are with you all the way' mesmerises me even though again it's a sad them; great wooden horse which neatly combines a number of horsy images, including of course the Trojan one; and no orpheus which also has Stuart Gordon's violin swirling gracefully over sensitive piano and, as on all the tracks, the tender engaging vocals.


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